newyorker: Lovings at Home In 1950, a young man from Central Point, Virginia, went seven miles down the road to hear some music. Seven brothers named the Jeters were on that night, playing bluegrass in a farmhouse. The young man had come for the music, but couldn’t help noticing a young woman in the audience. The man, Richard Loving, was white; the woman, Mildred Jeter, was black and Cherokee. Seventeen years later, as a result of their meeting, the Supreme Court struck down Virginia’s Racial Integrity Act, along with anti-miscegenation laws in fifteen other states, ending the legal prohibitions against interracial marriage. On view until May 6th at the International Center of Photography, “The Loving Story” highlights the human element of the Loving v. Virginia case, bringing the ardor that fueled the Lovings’ half-decade of appeals into heart-rending focus… - For more selection of photographs of Richard and Mildred Loving: http://nyr.kr/wLrC3t
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newyorker: Lovings at Home In 1950, a young man from Central Point, Virginia, went seven miles down the road to hear some music. Seven brothers named the Jeters were on that night, playing bluegrass in a farmhouse. The young man had come for the music, but couldn’t help noticing a young woman in the audience. The man, Richard Loving, was white; the woman, Mildred Jeter, was black and Cherokee. Seventeen years later, as a result of their meeting, the Supreme Court struck down Virginia’s Racial Integrity Act, along with anti-miscegenation laws in fifteen other states, ending the legal prohibitions against interracial marriage. On view until May 6th at the International Center of Photography, “The Loving Story” highlights the human element of the Loving v. Virginia case, bringing the ardor that fueled the Lovings’ half-decade of appeals into heart-rending focus… - For more selection of photographs of Richard and Mildred Loving: http://nyr.kr/wLrC3t
Zoom Info
newyorker: Lovings at Home In 1950, a young man from Central Point, Virginia, went seven miles down the road to hear some music. Seven brothers named the Jeters were on that night, playing bluegrass in a farmhouse. The young man had come for the music, but couldn’t help noticing a young woman in the audience. The man, Richard Loving, was white; the woman, Mildred Jeter, was black and Cherokee. Seventeen years later, as a result of their meeting, the Supreme Court struck down Virginia’s Racial Integrity Act, along with anti-miscegenation laws in fifteen other states, ending the legal prohibitions against interracial marriage. On view until May 6th at the International Center of Photography, “The Loving Story” highlights the human element of the Loving v. Virginia case, bringing the ardor that fueled the Lovings’ half-decade of appeals into heart-rending focus… - For more selection of photographs of Richard and Mildred Loving: http://nyr.kr/wLrC3t
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newyorker:

Lovings at Home

In 1950, a young man from Central Point, Virginia, went seven miles down the road to hear some music. Seven brothers named the Jeters were on that night, playing bluegrass in a farmhouse. The young man had come for the music, but couldn’t help noticing a young woman in the audience. The man, Richard Loving, was white; the woman, Mildred Jeter, was black and Cherokee. Seventeen years later, as a result of their meeting, the Supreme Court struck down Virginia’s Racial Integrity Act, along with anti-miscegenation laws in fifteen other states, ending the legal prohibitions against interracial marriage.

On view until May 6th at the International Center of Photography, “The Loving Story” highlights the human element of the Loving v. Virginia case, bringing the ardor that fueled the Lovings’ half-decade of appeals into heart-rending focus…

- For more selection of photographs of Richard and Mildred Loving: http://nyr.kr/wLrC3t

(via victoriastation)

Source: newyorker.com

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